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JON POBLADOR

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Sequence No. 11

Sequence No. 10

Sequence No. 9

Composition No. 63 (San Gimignano)

Composition No. 62

Sequence 08 (After Hesse)

Sequence No. 07

Composition No. 61

Sequence No. 06

Composition No. 60 (Chapel II)

Composition No. 59 (Revised)

A minimalist composition of five horizontal bands of color stacked vertically, each painted with visible brush texture. From top to bottom: deep gray, taupe, teal, golden yellow, and off-white, ending with a narrow vertical red accent along the lower-right edge. The slight asymmetry and hand-painted surface emphasize intentional imperfection within a structured format, reflecting the artist’s interest in rhythm, materiality, and subtle disruption.

Sequence No. 05

Poblador, 2025. A grid-based abstract painting composed of multicolored horizontal stripes, divided vertically down the center. The left and right halves mirror each other in structure but differ slightly in color sequencing, creating a rhythm of contrast and variation. The palette includes grays, blues, reds, yellows, and creams, all painted with visible brush texture. The composition highlights balance through symmetry and repetition, with subtle shifts across the color bands evoking both order and disruption.

Composition No. 58

A minimalist painting composed of four equal rectangles arranged in a 2x2 grid. The top-left quadrant is a muted gray, top-right is teal green, bottom-left is a pale cream, and bottom-right is a warm ochre yellow. The surface shows subtle brushwork and layered texture, emphasizing color relationships and compositional balance.

Sequence No. 04

A minimalist painting featuring a vertical grid of horizontal rectangles in varied hues of muted blue, grey, cream, and beige, interspersed with vibrant bands of red, orange, and yellow. The colors are arranged with no repeating pattern, creating a quiet but dynamic rhythm. The surface appears smooth and carefully painted, inviting close attention to subtle shifts in tone and balance.

Composition No. 57

A minimalist painting of eight vertical bands in bold and muted colors, arranged side by side without spacing. The colors include deep navy blue, teal, cream, bright red, muted grey, vivid orange, soft blue, and pale beige. The surface is smooth and precise, with each color chosen to balance the others, creating a quiet yet striking composition.

Sequence No. 2 (Arrangement of Eight)⁠

A minimalist painting of four horizontal bands in muted yellow, pale grey-green, soft cream, and off-white, with a thin vertical strip of bright red at the right edge. The surface is smooth and carefully layered, with the subtle colors balanced by the small but striking red accent.

Composition No. 56 (After the Sixth)

Composition No. 55 (Sequence No. 1)

A minimalist painting composed of three vertical columns of evenly spaced horizontal bands in varied colors. The palette includes muted greys, blues, creams, and browns interspersed with brighter reds, oranges, and yellows. The colors do not follow a strict pattern, creating a quiet but intricate rhythm across the smooth surface.

Composition No. 54 (Chapel)

Composition No. 53

Composition No. 52 (Unfolding)

Composition No. 51 (Sage Creek) (Revised)

Composition No. 50

Minimalist painting by Jon Poblador, featuring a white surface with small rde, orange, and yellow square accents along the right edge. A serene, meditative artwork emphasizing simplicity, surface quality, and subtle color interaction.

Composition No. 49

Minimalist painting by artist Jon Poblador, featuring a smooth grey surface with small, colorful rectangular accents along the bottom edge. A meditative composition highlighting repetition, surface texture, and modern simplicity.

Composition No. 48

Contemporary Art Through Geometry and Repetition.

© 2025 Jon Poblador

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